The whole thing is almost deliberately surreal a direct attack on the rose coloured notion that Toronto is a world class city filled with world class people. The Go-Getters rises and falls on the timing and execution of the people involved, and everyone involved brings their best to the film. It should also be noted that next to Melissa McCarthy in Can You Ever Forgive Me, no actors this year have made strings of curse words and insults sound as purposeful and strangely poetic as Abrams and Pirie.
In its own sick way, The Go-Getters is rather tightly constructed and built around the specific rhythms of the characters. It’s a testament to Abrams script and their overall chemistry that none of The Go-Getters feels like an improv exercise. It’s akin to watching Jackie Gleason’s Ralph Kramden arguing with himself for eighty minutes, or like both halves of The Odd Couple got blotto on Thunderbird and drain cleaner. Much of The Go-Getters feels like a game of one upsmanship between Abrams and Pirie like they’re daring each other to go even lower with the material, and from scene to scene it’s almost impossible to predict which one will debase themselves more. Once Owen and Lacie get going, there’s positively no stopping them.Ībrams and Pirie are a comedic dream team, going after each other and everyone around them with tooth-gnashing gusto that’s as infectious as it is repulsive. Instead of working with more observational material, The Go-Getters is comprised of heightened situations, bizarre characters, and gross-out gags delivered like they’re coming out of a gatling gun.
The go the go getters how to#
While LaLonde ( How to Plan an Orgy in a Small Town, Sex After Kids ) is no stranger to risque material, the sheer amount of manic, wall-to-wall misanthropy on display in The Go-Getters marks a quantum leap in his directorial chops and style, with the filmmaker making great use of split-screens and rapid fire editing that makes this feel like a heist movie for degenerates. Those hip to what LaLonde and company are laying down will be treated to an uncompromising comedic work unlike anything that’s been attempted in Canadian cinema for quite some time. The opening salvo of urine (which is matched nicely by the sepia, 70s styled tinting LaLonde frequently employs here) not only says, “abandon all hope, ye who enter here,” but also confronts the audience honestly and genuinely with a hearty “Fuck you, bud. Built around a story that questions how low already disgraceful people are willing to go to fulfill their own selfish needs, The Go-Getters only becomes funnier the more off putting it becomes, morphing into a completely ridiculous and gleefully nasty bit of business. LaLonde and writers Abrams and Brendan Gall quickly prove that they have nowhere to go but down and in a hurry. The Go-Getters opens with someone getting pissed on, and really a film that kicks off with such an abrasive, but amusing note can only go up or down from there. To get there by bus, they need to raise the seemingly manageable sum of $98, which considering their penchant for self-sabotage and overall loathsomeness towards others and each other, is easier said than done. Knowing that he’s on borrowed time, Owen reluctantly teams up with an equally terrible, down on her luck, and antisocial prostitute named Lacie (Tommie-Amber Pirie), who says she has access to a comfortable living situation for the both of them if they can find a way to get to her hometown out near Ottawa. Kevin takes some pity on his brother, allowing him to move his mattress into the boiler room of his Toronto dive bar. On the other hand, if you think movies like Bad Santa and Death to Smoochy are hilarious (like I do), The Go-Getters will get you rolling harder than you have in a long time.Īlcoholic burnout and freeloader Owen (Aaron Abrams) has just been kicked out by his brother, Kevin (Kristian Bruun), over his perpetual inability to stop drinking and get his shit together.
If you’ve ever disliked a film because one or more of the main characters was tough to relate to or they constantly did nasty, terrible, horrible, no good, very bad things, then stay far the fuck away from this latest effort from director Jeremy LaLonde.
The go the go getters series#
A rapid fire series of escalating, misanthropic schemes enacted by a pair of characters that could most charitably be called unlikable, The Go-Getters assuredly won’t be to everyone’s comedic taste. Deliberately grotesque, unapologetically foul-mouthed, and frequently hilarious Canadian comedy The Go-Getters revels in bad taste and worse behavior.
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